The Third Line gallery celebrates 20 years promoting MENASA art in Dubai. Founded in response to post-9/11 sentiment, it showcases regional talent and navigates the evolving art market. Socio-economic shifts impact the gallery.
Jeff Koons rejoins Gagosian after leaving Pace in 2015. Gagosian has presented 13 solo Koons exhibitions in 20 years. This return started with the Frieze New York fair.
Shamim M. Momin named director/chief curator of the Bronx Museum, undergoing $42.9M expansion. Her vision emphasizes community, diversity, and access to contemporary art. Momin's experience includes LAND and the Whitney Museum.
Tate Modern prioritizes Aboriginal art, showcasing Emily Kam Kngwarray. Whitworth features Santiago Yahuarcani. Camden Art Centre highlights Duane Linklater, challenging Western art norms and celebrating Indigenous voices.
The 2025 Sobey Art Award finalists, representing diverse Canadian regions and artistic practices, have been announced. The winner will receive C$100,000, recognizing contributions to Canada's contemporary art scene.
Michigan-based cosmetic surgeon Charles Boyd, a passionate art collector and supporter, significantly impacts Detroit's art scene through gallery leadership and board positions, championing African American art.
Venice is set to welcome two new art spaces: San Marco Art Centre (SMAC), focusing on art, design, and technology, and the Nicoletta Fiorucci Foundation, showcasing contemporary art. Both initiatives promise innovative approaches.
Sotheby's to auction art collections from Gladstone and Luxembourg, featuring Warhol, Prince, Fontana and Pistoletto. Sales reflect confidence amidst economic uncertainty.
Artist Imran Qureshi explores miniatures, scale, and Pakistani culture, drawing inspiration from history, politics, and everyday life. His Concrete exhibit blends large works with miniature paintings and woven charpai.
Charrière explores our rapidly changing relationship with nature by conducting field research in remote locations such as glaciers, volcanoes, and radioactive sites, which informed his interdisciplinary film, photography, and sculpture practice.
Holt’s new position comes at a precarious time in the Asian art market tensions rise between China, the US, and Taiwan, which could forecast unfavorable economic and security implications, and Beijing juggling the a real estate crisis that could prove disastrous.
Her practice has evolved from an initial period of experimenting with theatrical stages and a curiosity with the moving image to performance-based works in an augmented documentary format and pieces where reality and virtual space coexist.
